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Subject to Display The MIT Press Subject to Display Reframing Race in Contemporary Installation Art An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s Subject to Display Reframing Race in Contemporary Subject to Display provides a historical record of a crucial body of visual art work and a theory of how this work effectively interrogates the formation of race in US culture It also critiques the very terms through which identity has been debated and often reified in both visual art practices and museum cultures Customer reviews Subject to Display Find helpful customer reviews and review ratings for Subject to Display Reframing Race in Contemporary Installation Art The MIT Press at Read honest and unbiased product reviews from our users Project MUSE Subject to Display Reframing Race in Wilson is one of five artists featured in Jennifer Gonzalez’s Subject to Display Reframing Race in Contemporary Installation Art The work described above Mining the Museum 1992 was an installation that changed the means by which contemporary artists would negotiate the ofteninvisible relationships between objects institutions and memory Autotopography Monolithic “Others” and Spectators Gonzalez’s book Subject to Display Reframing Race in Contemporary Installation Art uses five case studies to addresses the role of museum spectators and institutions in the representation of marginalized or minority subjects as monolithic identities Subject to Display Reframing Race in Contemporary In Subject to Display Jennifer Gonz Over the past two decades artists James Luna Fred Wilson Amalia MesaBains Pep n Osorio and Ren e Green have had a profound impact on the meaning and practice of installation art in the United States Jennifer A González u Her first book Subject to Display Reframing Race In Contemporary Installation Art MIT Press 2008 was a finalist for the Charles Rufus Morey Book Award given by the College Art Association for a particularly distinguished book in the history of art The book explores how artists James Luna Fred Wilson Amalia MesaBains Pepón Osorio and Renée Green offer a critique of the racialized display practices of institutions such as museums private collections and art galleries as well as Subject to Display Reframing Race in Contemporary Subject to Display provides a historical record of a crucial body of visual art work and a theory of how this work effectively interrogates the formation of race in US culture It also critiques the very terms through which identity has been debated and often reified in both visual art practices and museum cultures Subject to display by pinktimur Issuu Description this book Subject to Display Reframing Race in Contemporary Installation Art By Author Mar2011 Paperback Download Subject to Display Reframing Race in Contemporary Bodies Under Review Mediating Racial Blackness See González’s Subject to Display Reframing Race in Contemporary Installation Art Cambridge MA MIT Press 2008 in which González interrogates “the history and persistence of race as a form of visual hegemony” 2